Talking about the Design and Creation of Jade Carving

Jade carving creation and art creation and other arts and crafts creation are the reflection of the author's aesthetics, but the creative process is very different. Art creation and other arts and crafts creation are the author's subjective will to determine the ideological content of the work. The author can Subjective creativity, what kind of picture you can create if you want to create a picture. However, the creation of jade carvings is different. Jade carvings cannot be creative with the subjective will of the author, to design and to engrave. Jade carving must be creative, designed and engraved according to the specific conditions of jade materials. Therefore, jade carving is a special arts and crafts, its particularity lies in the raw materials. The material used in the creation of jade carving is jade, its shape is irregular, the size is different, the color and pattern are fixed, they are all formed naturally, all kinds of colors will appear, and the surface will be different, and some deep inside will also have Change, what theme to engrave, what works to create, can not rely on the author's subjective will, must be based on the situation of jade materials, must first understand the specific situation of jade, and then carry out creativity, conception, design. During the engraving process, the design is constantly changing as the color of the jade changes. In this way, beautiful jade carvings can be carved out.

玉雕

I. Observing jade materials and performing arts

Want to create a jade carving work, before the creative conception, we must first check the specific conditions of the jade material, we must repeatedly observe the jade material, the jargon is called Xiangyu. That is to carefully examine the jade material, to understand the shape, volume, color, pattern and direction of the jade material. The rear can determine what the subject can be carved. That is to say, in the face of a piece of jade, it is not what you want to engrave, but to see what it is suitable for. When designing and engraving, it is necessary to make full use of the sputum to find the succinct technique, and use the natural color of jade to make the work colorful, exquisite and unique. For example, my work "Changyou", the material from the outside is a piece of green serpentine jade, no variegated. In order to understand the internal situation, I cut a knife from the side and saw that there is a red, very bright, red, this jade is not only easy to use, but also can be smashed. According to the internal and external details of this jade, after repeated thoughts, it was decided to design the green jade of this jade into a piece of clear water and a large leaf of the volcanic water, and design the red pieces above into several red dragonflies. After careful craftsmanship, I received a good artistic effect. This work won the China Jade Sculpture Jade Star Award for Outstanding Works in 2015.

Second, according to the material selection problem

To find out a piece of jade material, it is only impossible to observe from the outside, but also to understand the jade material in depth, from the surface to the inside, from shallow to deep, and transparent. To knead the jade, cut the shape, cut the surface, open the "window", remove the thick parts, and make it appear pure jade. Then, according to the actual situation of the jade material, the topic selection concept can be selected, and the creative theme suitable for the specific situation of the jade material can be selected, and the specific content and the theme idea can be conceived.

After selecting the theme, it is necessary to carry out creativity, conception and design. If it is a piece of flower jade, it is best to use it to engrave flowers, birds, beasts, landscapes, miscellaneous pieces and other works. To conceive landscape works, we must consider the layout, density and level of landscapes such as rocks, trees, flowers, birds and beasts, and skillfully use the various colors in jade, carefully carved and strive for perfection. For example, my work "佰财聚来", the raw material is a gray-white jade, not very easy to use. I think it is a jade that must be done with the heart. What is the key to how you use it? In order to further clarify the internal situation of this jade, I cut the jade material on one side, and the situation changed. Seeing that there is a piece of green at one end of the jade material, I saw hope. Because this jade green and white are distinct, the contrast is large, and the green and white ones are at one end, and they are not mixed with each other. Based on the specific situation of this jade material, after repeated thoughts, it was decided to design this jade into a Chinese cabbage, designing the gray-white jade as a vegetable and vegetable root, and designing the green jade into a vegetable leaf and a cabbage heart. During the engraving process, the jade material changed again. A small piece of green appeared in the depth of the gray-white jade. The white dish was green and would destroy the unified artistic effect. What should I do? After thinking, I took the opportunity to design this green jade in gray and white as a dragonfly. After the work is carved, it not only gives people a sense of beauty, but also gives people a sense of ingenuity. A Chinese cabbage, white roots, white gangs; green leaves, green hearts, vibrant. The white dish is covered with a green dragonfly, vivid and vivid. The work is amazing and the filming is over.

Third, reasonable use of materials and skillful use of color

There is a jargon in the jade carving industry: "The jade is red, and the value is even city." The beauty of jade can create unexpected artistic effects and economic benefits for the work. Therefore, the designer must use the materials reasonably and use the pretty colors in the jade. To this end, the following three principles should be followed: First, smooth. The so-called smooth color is the rational use of various colors in jade, the use of color for the sake of reason, looks pleasing to the eye, giving people a natural beauty. For a piece of jade, before designing, you should see several colors, spots and patterns in the jade material table, and then conceive and design, and use the various colors of jade as much as possible to create a clever artistic effect. For example, my work "Parrot" is made of a variety of red, yellow, black, brown and other colors. The multi-color jade is not very easy to use. The color is used in a reasonable color and strives to be clever. After many days of consideration, it was decided to design a large area of ​​red jade into a parrot, design the yellow jade below into maple leaves, design the brown jade into maple branches, dry, and design the black jade as a rock. After smashing and smashing, looking for clarification, finely carved, a beautiful jade carving was formed. This work won the bronze medal of Shanghai Jade Carving Yulong Award. . The second is a random strain. Unexpected changes may occur inside the jade during the engraving process. The designer should adapt to the new situation and new problems appearing in the jade and modify the design plan. As mentioned in the previous work, "Liancai gathers", according to the situation of jade material, the original design plan is a Chinese cabbage, Baibang green leaves, especially delicate. However, in the process of engraving, the white jade material has a green color, and the poor processing will affect the artistic effect of the work. After thinking, I designed this green to be a cockroach on the white dish. This response, even if the work produces a subtle beauty, adds vitality to the work. The third is to become dirty. The so-called dirty is the black spot in the jade. A piece of jade material is too dirty to be used and will be discarded. Gaoming's designers can become dirty and become a treasure, turning dirty jade into a fine. For example, a piece of red jade carving a lotus flower, carved and carved, a black piece of jade suddenly appeared in a black, what should I do? Dealing with this "dirty" will affect the artistic value of the work. Designers have to use their brains and try to get dirty. If you use this black dirty to engrave a black scorpion, it will not only solve the problem of black and dirty, but also add a sense of beauty and skill to the work. A red lotus with a black cockroach on it, lively and vivid, wonderful and ingenious. It’s really "the little lotus is sharp and sharp, so there is a standing top." This change not only turned the dirty into a pretty, but also added poetry to the work.

In short, the use of material is the principle that jade carving must follow.

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